![]() In other words, “Drunk History” is a corrective to the oracular, authoritative, we-know-better tone of most historical nonfiction. Just as you get into the swing of the story of Rasputin, for instance, the tsarina gets lost trying to pronounce “aristocracy.” “Aristococracy-aristocross-aristocrocity,” a sloshed Chris Romano mutters, as the actress who plays the tsarina karaokes along. These sequences aren’t scripted instead, the actors lip-synch the words of the drunk person, which means that the dialogue continually adjusts to pauses, burps, and impaired tangents. Minor, was a murderer confined to a mental asylum? I did not.)Īs the drunk guest narrates, we cut back and forth to a fully produced docudrama, starring other semi-familiar names (Weird Al Yankovic, as Adolf Eichmann Abbi Jacobson, as Gloria Steinem Method Man, as Grandmaster Flash). (Did you know that one of the creators of the Oxford English Dictionary, W. C. Some stories are slight and others meaty, but they often feature details that would be relegated to footnotes in more standard histories. Once a buzz has been established, the scene moves to the living room, where the guest tells whatever story is on the agenda: maybe it’s about a “ghost army” that artists built during the Second World War, to distract the Germans, or about the 1963 Children’s March, in Birmingham, Alabama, or about an extremely weird medieval trial involving rats. In a kitchen, Waters and the narrator mix drinks, chitchat, and get to know each other. ![]() (Every human who has ever done a podcast seems to have appeared during the show’s five seasons.) Many guests are comparative randos, although the current season also features stars like Questlove, Tiffany Haddish, and Rachel Bloom. In each, Waters teams up with a guest storyteller, who is often a comedian. Each episode has a theme-say, heists or civil rights. What was I gonna watch instead, “ The Handmaid’s Tale”? This Fourth of July, the show made for a surprisingly affecting binge-watch, offering some perspective from the bottom of a shot glass. Like “Star Trek,” it’s a vision of cosmopolitan democracy, right as that ideal is under threat. This openheartedness makes it educational television in a broader, emotional sense-it’s like “ Mister Rogers’ Neighborhood,” or “Schoolhouse Rock!,” if those shows had more orgies and Nazis. It’s informational, but it doesn’t mind that you don’t know everything, because it gets that nobody does. ![]() It’s a safe space, from before that term was turned into a partisan weapon. “Drunk History” is that kind of show: sweet, filthy, and forgiving. “Live long and prosper.” Then she taught Waters the Vulcan salute-unable to hold his fingers together, he kept drifting into a much dirtier gesture, “the shocker.” The two giggled, because the situation was ridiculous. “No,” she said, quizzically, but not unkindly. “To infinity and beyond!” Waters announced. But first Black got tanked with Derek Waters, the show’s host. In a recent episode of “Drunk History,” on Comedy Central, Ashley Nicole Black-a writer for “Full Frontal with Samantha Bee”-told the stirring story of how Nichelle Nichols, the African-American actress who played Uhura, on “ Star Trek,” helped to integrate NASA.
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